James Bond Radio: Interview with Dennis Calero – Casino Royale

I had the opportunity to interview artist and co-author Dennis Calero for James Bond Radio all about the recent Casino Royale Dynamite Comics graphic novel adaptation.  It was great to talk Bond with him and listen to his insights about the character and franchise.  It was also a treat to get an inside look into the creative process that went into the book.

Check out the YouTube link below.

 

Book Review: My Word is My Bond by Roger Moore

In 2008 Sir Roger Moore released his first book, a memoir entitled My Word is My Bond. The book is an enthralling tale that takes readers through his early childhood, his many years as a venerated actor with such prominent roles as The Saint and James Bond,  up through his present day role as an elder show business statesman and more importantly a celebrity ambassador for UNICEF.  Moore has often been described as a raconteur and this book lives up to that expectation. As a reader you feel like you’re seated with him at your favorite restaurant sipping wine as he relates colorful anecdotes of his long storied career as well as his early childhood. Born in Stockwell, his childhood was plagued by illness and having to evacuate his home town to live in Devon while the threat of bombing raids loomed over London. Moore paints a colorful portrait of his early life and career and provides a rather insightful view into the latter days of the Hollywood studio system where actors would be under exclusive contract to a film making studio and the heads of these studios wielded enormous power and control over the careers of the actors employed by them.

Moore is charmingly self-deprecating throughout holding no delusions as to his actual acting prowess.  One gets the sense that he sees himself as someone  who was extremely lucky having the right look and obtaining the right contacts, friendships, and show business relationships to mold his career over the span of decades. His one literary vice seems to be name dropping, and that is actually the one consistent flaw throughout the book.  Oftentimes an amusing anecdote is accompanied by several tangents where the name dropping can get irritating, but once you get used to it, it can get rather amusing.  Moore is also a self-confessed practical joker.  On his James Bond sets, he would often prey upon Desmond Llewelyn who played Q.  Knowing that Q’s dialogue was rather intricate and full of technobabble, he’d often get hold of the script and change Llewelyn’s lines hours before shooting forcing him to learn new dialogue.  On other occasions, Moore was a peacekeeper as on the set of The Persuaders a TV show where he costarred with Tony Curtis for 1 season as a mismatched duo who went on adventures.  When Curtis called the episode’s guest star Joan Collins the “C-word” Moore was called onto the set on his day off to diffuse the situation.

Upon getting the much coveted role of James Bond, he recalls:

I’d be the first to admit that I’d been living the good life in the previous year or so…. That was brought home to me rather curtly when Harry [Saltzman, co-producer] called me one day.

‘Cubby [Broccolli, co-producer] thinks you need to lose a little weight.’

Okay, I thought. So I started a strict diet.

The phone rang again. ‘Cubby thinks you’re a little out of shape.’

So I started a tough fitness regime.

Again the phone rang, this time it was Cubby. ‘Harry thinks your hair’s too long.’

‘Why didn’t you just cast a thin, fit, bald fellow in the first place and avoid putting me through this hell?’ I replied.

The stories he tells about making the Bond films are quite fascinating as a fan and Moore’s rather unique insight into this experience is always quite compelling and amusing:

Cubby and I visited Maurice [Binder, title designer for the Bond credits sequences featuring naked ladies ofttimes in silhouette] on his shooting stage one day and found him on his knees, lovingly spreading Vaseline over the private parts of one of his female nudes.  He said it was to keep her pubic hairs flat in front of the wind machine, so as not to incur the further wrath of the censor.

I turned to Cubby, ‘And I thought that was one of the producer’s perks?’

In a scene where Bond quips about Egyptian builders knowing full well that a representative of Egypt’s government was on set monitoring their every line, Roger suggested that he simply mouthed the line by moving his lips and not actually saying anything so that they could add the line later in post-production.  Many such stories are cleverly regaled throughout the book, however, when Roger doesn’t have something nice to say about someone he tries to keep it diplomatic by simply stating that he has nothing to say about them as is the case with Grace Jones his co-star on his final Bond film, A View to a Kill.  Jones reportedly took a large black dildo into the bed with her for their love scene, which seems to have perturbed Roger despite his penchant for practical jokes. At the same time, one gets the sense that he may have glossed over his failed marriages although he admits to sharing in some degree of fault for how they ended.  One of his ex wives spent many years denying him a divorce.

What drives the latter third of the book is his commitment to UNICEF, and we learn that despite his life of privilege Moore has done a remarkable job giving back to the world at large through his dedication to UNICEF bringing awareness to the struggle to help children in need around the globe. His major cause since he joined the organization in 1991 is to raise funds and awareness for Iodine Deficiency Disorder (IDD) in many third world countries. It’s a preventable problem that can be resolved by simply ensuring that every household uses iodized salt to avoid all sorts of maladies and mental disorders. Moore frequently meets with heads of state on behalf of UNICEF to urge them to combat IDD in their poorest communities. Roger has led a fascinating life and he is to be commended for his commitment to UNICEF. He has received many honors for his humanitarian work, and in 2003 he was Knighted by Queen Elizabeth II particularly for his work with UNICEF.  Roger Moore may not be everyone’s favorite Bond actor, but he’s lived a fascinating life.  Reading this book, you can’t help but develop a profound respect for the man. On his work for UNICEF he writes:

I’ve often been asked just how much UNICEF receives from the United Nations and why we need to raise funds.  The answer is UNICEF receives nothing from the UN, it is completely self-funded and that is why I – and others like me – go out banging the drum.  Of the money we raise, less than nine percent goes in administration costs around the world; the rest goes directly to the children

 

Heads You Die Review

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Young James

Heads You Die is the 7th novel in the Young Bond series and the second book written by Steve Cole after Charlie Higson’s monumental first five novels in the series.  This book picks up right after Cole’s last offering, Shoot to Kill, where Bond thwarted a dangerous Hollywood blackmail scheme. James (about 14 or 15) and his new school friend Hugo, a 16-year-old boy afflicted with dwarfism, are now in Cuba staying with family friend of Aunt Charmain, Dr. Hardiman prior to embarking on their return trip to Europe.  We know from Fleming’s brief writing on Bond’s youth that Bond will eventually end up going to Fettes College in Edinburgh to complete his education, but Heads You Die has other plans in store for young Bond.  This is quite simply Steve Cole’s best Young Bond novel so far especially for those readers who may have been discouraged by the Hollywood setting of the previous book.  The Caribbean is prime Fleming territory and Cole knows this and utilizes it to optimum effect.

The plot is set in motion when Dr. Hardiman is harassed and then kidnapped by a dastardly villain named Scolopendra, a native of the island who has achieved wealth and power by acquiring a vast and comprehensive knowledge of the island’s botanical treasures.  He needs Dr. Hardiman to work on a mysterious secret project and uses his henchmen to intimidate anyone who stands in his way. James suffered through several encounters with the aptly named El Puňo so christened due to the fact that after the massive man lost his hand, he had a block of granite fixed on to his stump carved into the shape of a fist.

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In addition to Hugo, Bond works with a new set of allies.  Jagua is Scolopendra’s daughter

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Jagua

who has grown disgusted with her father’s cruel methods and Maritsa is Jagua’s best friend.  Jagua is probably the strongest female character of all the Young Bond books.  She’s fiercely rebellious and is able to handle multiple dangers to achieve her goals.  She’s actually very reminiscent of Judy Havelock from Fleming’s For Your Eyes Only short story. Their motivations are different of course but their determination and their strong wills are very much similar. Together the group figures out that the only way to rescue Hardiman and end Scolopendra’s mysteriously cruel secret project is to get some kind of leverage to use against Jagua’s father. A strong box on a sunken cruiser may hold the key to foiling Scolopendra’s plans, but first they must dive.   Here’s where Cole unleashes his inspiration from Fleming. The primitive diving equipment utilized by Jagua and Maritsa, who have grown accustomed to diving provides quite a challenge for young James. With a primitive diving helmet attached to hoses and bellows for air, Bond must dive deep down into the water to recover a mysterious strong box with Hugo pumping the bellows to provide air to the homemade helmet under water.  As if that wasn’t enough of a challenge to navigate, young James promptly discovers he isn’t alone and a thrilling underwater action sequence ensues.

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Scolopendra

Bond must also contend with the mysteriously veiled woman named La Velada who has Scolopendra under her spell much to Jagua’s contempt and decipher what to make of her connections to Russian Secret Police. Multple dangers are in store for Bond to contend with including many chases, being shot at by La Velada, and hiding while a murder takes place.  The following sequences gives us a glimpse at how Cole invests the readers in the psyche of Bond much like Fleming had done.

“ One thought kept spinning around in his head:  If La Velada’s bullet had hit me yesterday, I’d be a corpse on the floor myself. Now Scolopendra had executed a man, and she hadn’t even flinched; clearly they were two of a kind. James shuddered. To shoot a man dead in cold blood, at point-blank range . . .

I could never do that.

While demonstrating just the right amount of restraint, here Cole invests us in Bond’s youth and innocence in a way that foreshadows the man that James will become.  These experiences throughout the Young Bond novels are slowly shaping who James will be, but at this stage the concept of killing in cold blood is shocking to the young man and appropriately so. Clearly, Bond doesn’t know how any human being could possibly commit an act of brutality without remorse or any emotional effect whatsoever.  At the same time, Bond is constantly finding himself in dangerous situations in circumstances far beyond his control.  Take this quote from an earlier chapter:

“Heart hammering as he raced away, James knew that he would never get used to the thrill of danger.  That was its allure.  So much of life was routine and boring, but danger had no rules.  It happened anywhere, could take so many forms.

‘And it looks me up wherever I go,’ he muttered to himself.”

Note the italicized emphasis on the word “never.” Danger is something he would “never” get used to, but he still relished the thrill of it.   For now, in James’s psyche the dangerous situations are not thrills that are sought after but when he happens to come across said danger he enjoys it on some level because he contrasts it with “boring” and “routine” regular life.  It should therefore come as no surprise that the adult Bond would subscribe to a life that guarantees danger with every mission perhaps to relive the same childhood thrill.

Heads You Die is a fantastic novel and I look forward to Steve Cole’s 3rd book, Strike Lightning due out in September where we will finally see how Bond settles into life at Fettes College.  While I don’t blame anyone for missing Charlie Higson, Heads You Die has convinced me that Steve Cole has put Young Bond on the right course.  Not only is able to deliver thrilling action sequences for young james, he also delivers on building upon the character we’ve gotten to know in the previous books.  I highly recommend this latest book and I have no doubt that Strike Lightning will continue to provide the kind of suspense and thrills to exceed our expectations as Bond fans.

  • As a side note, I highly recommend acquiring the limited edition hardcover of Heads You Die available only as an import if you live in the US. Cole provides his insights about where he drew his inspiration for the diving sequences with a notable selection from Fleming’s short story, “The Hildebrand Rarity.”  He also provides a deleted / altered scene from his book for context, which gives the lucky reader a brief glimpse at the creative process involved in writing a Young Bond book.

review by Jack Lugo

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Some Kind of Hero – Book Review

With its meticulous research into the history of the Bond film franchise and close attention to many of the franchise’s little known details, Some Kind of Hero is the ultimate nonfiction book for Bond fans. Authors Matthew Field and Ajay Chowdhury conducted over a hundred interviews with noteworthy participants in the Bond film saga, uncovered countless little known facts, shed light on many of the franchise’s unsung heroes, and poured years of research into a well-crafted epic tome. It’s a worthy addition to anyone’s library whether you’re a hard core Bond fan familiar with the franchise’s history or a casual fan looking to read and learn more about the Bond phenomenon.

The only thing that would have cemented this book as even more definitive would have been an interview with Sean Connery himself.  Rest assured, the authors landed interviewssean-connery_8814825-original-lightbox with every other Bond actor and then some. Connery, however, has become notoriously elusive in recent years. Although he has been seen a number of times in public, I imagine it would be a challenge to land an interview with him particularly if the sole topic was to be about Bond and not say Scottish independence.  The authors recount their efforts to get an interview with Connery in the Introduction and they did in fact come very close.  I suppose an in-depth interview with Connery relating his side of the story in regards to his experience as 007 might make for a book of its own.  Even without Connery’s participation, I think the authors did a fantastic job of informing the readers about many of Connery’s concerns and issues with the franchise as well as the producers without necessarily taking sides.

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Ian Fleming with producers Harry Saltzman and Cubby Broccoli

The personalities of Cubby Broccoli and Harry Saltzman permeate this book.  In fact, I feel I have better sense of who those two individual men were as people than I did before reading it.  Each of these men whose names have become synonymous with the James Bond film franchise has an early chapter devoted to them before the main crux of the book continues with a chapter devoted to each Bond film.  As the narrative unfolds, the authors impart many subtle details and personality traits of each of these men along with the roles they took on as the partnership progressed.  There are quirky details like Saltzman’s unenthusiastic reaction to Paul McCartney’s condition that he be the one to perform the song he wrote for Live and Let Die when Saltzman would have preferred Thelma Houston.  Prior to that Cubby Broccoli described Ian Fleming’s disappointment at having had his meal pre-ordered for him at a restaurant in Turkey. The most fascinating chapter, however, is devoted to the ultimate breakup of their partnership after The Man with the Golden Gun.   The complex details concerning the dissolution of their partnership are explored in a chapter the authors call “Two Scorpions in a Bottle – Broccoli vs Saltzman.”  Here, we learn from Harry’s son Steven that film title designer Maurice Binder served as a “back-channel” between the two producers when they were most at odds.  We also learn a great deal more about the circumstances that led to Harry Saltzman being forced to sell his shares and controlling interests to United Artists.

Some Kind of Hero also gives us a very compelling look at some of the unsung heroes in the Bond franchise.  Of particular note is Johanna Harwood whose screenwriting contributions remain largely unrecognized within Bond fan circles.  The authors were

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Johanna Harwood

lucky enough to sit down for an interview with Harwood, who has not frequently spoken publicly about her role in the Bond saga.  She enters the story as Harry Saltzman’s assistant but her actual role was to write scripts. She described Saltzman’s personality at one point saying, “[His] big fault was that he was tactless. He was always rubbing people  up the wrong way because he was saying things, unkind things but he wasn’t actually unkind.  He never thought this might upset this person . . . He was an extraordinarily good salesman.  If he had one really big quality, I would say it was he could sell anything.  He could go off with an idea and sell it to anybody. What he couldn’t do later was develop the idea.”

Saltzman first tasked Harwood with writing synopses of all the Ian Fleming books and it would appear that Harwood did a considerable amount of work prior to Richard Maibaum coming on board submitting her own scripts and developing early adaptations of Fleming material.  She even wrote her own Bond short story called “Some Are Born Great.”  Harwood went on to receive screenwriting credits on Dr. No and From Russia with Love but her work on Goldfinger remains uncredited.  Although many of her contributions may have been changed by subsequent writers especially on From Russia with Love, the authors of Some Kind of Hero have done Bond fans a tremendous service by getting her story down and shedding light on the important role she played during the creative process of those early Bond films.  Harwood also co-wrote EON’s early non-Bond movie during the sixties called Call Me Bwana.

Also of note are some of stories the authors have uncovered which have garnered media attention over the past several months.  First there was the story of how Amy Winehouse might have done the theme song for Quantum of Solace were it not for her untimely death.  David Arnold had “sketched out” some musical ideas leaving the lyrics for Winehouse to complete.  The authors were also able to get Pierce Brosnan to unleash a few more details about his departure as Bond. Brosnan describes the phone call he received after his agent informed him that negotiations for him to star in his fifth Bond film had stopped.  Brosnan told the authors that he “was utterly shocked and just kicked to the kerb with the way it went down.”

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All in all Some Kind of Hero reads very swiftly despite its rather thick appearance.  Although the book clocks in at over 700 pages, the main narrative is actually just over 600 pages with the notes and index taking up the last 100 pages.  It could be read either from start to finish or one might decide to read chapter by chapter as you watch the films chronologically. I’m glad to have read it once all the way through, but I could easily see myself returning to Some Kind of Hero as I re-watch the Bond films re-reading each chapter that corresponds to whichever film I decide to put on.  I feel like this book tells the story about the key people involved in the Bond saga better than most books on the subject.  You get a real sense of the personalities involved, the various conflicts that ensued, and a rationale behind many of the decisions that were made.  Each chapter in the Bond saga is given its due and although it’s obviously way too vast to convey the entire scope of this book into one review, it’s safe to say that I believe most Bond fans would benefit from reading Some Kind of Hero regardless of how well-versed they believe themselves to be regarding the history.

Review by

Jack Lugo

jack with some kind of hero

 

 

 

 

 

I originally posted this review over at the James Bond Radio podcast website but I recreated the review here for your convenience. You can find the original review posted over at jamesbondradio.com here: http://jamesbondradio.com/some-kind-of-hero-book-review-by-jack-lugo/?utm_content=bufferdc0eb&utm_medium=social&utm_source=facebook.com&utm_campaign=buffer